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Electric Safari - BPM. Electric Safari dub mix - BPM. Played by: Juno Recommends Deep House. While this surprise single on Crosstown Rebels is not their first joint outing to be released- their collaborations have previously featured on Rebellion, DFD, Snatch and Too Many Rules - it's undoubtedly their most high profile to date. In its original form, 'Electric Safari' throbs and builds impressively, with energy-packed percussion fills, creepy chords, squiggly synth notes and fluid piano motifs riding a driving, kick-drum-driven groove and foreboding electronic bassline.

The pair's own Dub mix is as trippy and mind-altering as you'd expect, while Roman Flugel weighs in with two impressive reworks: a dark and hypnotic 'Remix' that emphasises the pair's arpeggio-style bassline while adding denser tech-house drums, and a deeper, more spacey 'Dub' that sounds ripe for early morning plays.

Believer - BPM. Believer club mix - BPM. Los Tamales. Monkey Business - BPM. Review: MUSE co-founder Dennis Cruz has cemented his reputation as one of global dance music's most esteemed talents, in a career that spans decades. He returns to Crosstown Rebels with the Los Tamales two tracker, which precedes the forthcoming full length which will drop on the label in October.

The title track is a salsa-inspired cut that rolls deep and features Yazaneth's signature Spanish vocals. Second offering "Monkey Business" benefits from a more minimal arrangement and dubby bass and makes for perfect tackle for the warm-up or afterhours alike.

The Edge Of Everything Remixed. Review: With the legend of Krust's The Edge Of Everything album closing on a three part remix series, Crosstown Rebels go the distance with an encore by bringing all the remixes together in one place. But perhaps what makes this release such a wildcard success is the transatlantic house combinations of DJ Nature, Damian Lazarus himself, and true legends of the scene - Masters At Work. TEOE Remixes 3.

Review: A legend in the house to be spoken in the same sentence as Ed Rush, Optical, Zinc and Roni Size, Bristol's own Krust takes it strangeways on Crosstown Rebels - and the label's third installment of album remixes. Diving back into that deep and hopeful sound of '90s drum and bass, breakbeat and soul is a rare UNKLE remix of "Hegel Dialect", that like Hodge's remake of "Constructive Ambiguity" lifts its inspiration of course from the halcyon days of hardcore, jungle and rave with ghostly atmospheres to boot.

CRM 23 Jul 21 Breakbeat. Return To Jericho. Akkabi Blue - BPM. Review: Sankeys resident Darius Syrossian was chatting with London tech house legend Bushwacka at the beginning of lockdown about starting a collaboration.

When the latter checked out what Syrossian had been releasing on Moxy, there was a feeling that it would indeed work and could be the first of many. With that in mind Crosstown Rebels presents "Return To Jericho", a deep and evocative joint featuring hypnotic polyrhythms and a dubby atmosphere that makes for perfect mood music.

This is followed by the more minimal and moodier groove of "Akkabi Blue" that's just perfect for going deeper into the afterhours. In Dub We Trust. Lessons Learned - BPM. Faded - BPM. Forces Of Nature. In its' original form, 'Forces of Nature' is attractive and intoxicating in original measure, with soulful lead vocals riding bubbly synthesizer lines, undulating synth-bass and a stripped-back rhythm track.

The first is dreamy and loved-up, delivering a 21st century update on the funky breakbeat house sound of the early '90s, while the second is a hip-hop tempo take that's every bit as alluring. Junior Sanchez. Divergent EP. After Love - BPM. Body Heat - BPM. Review: Junior Sanchez may not enjoy quite as high a profile as he did back in the nineties and noughties, but he continues to deliver regular doses of tried-and-tested dancefloor gold.

His latest EP - his first for Crosstown Rebels - ticks a lot of boxes, delivering a quartet of cuts tailor-made for big rooms and dark basements. He first joins forces with fellow scene stalwart Todd Terry on 'Live Forever', a slowly building, tactile chunk of celebratory house retro-futurism that's as spine-tingling and rushing as they come, before opting for heavier bass on disco-tinged number 'After Love'.

Ahora Todo Va. It's an insanely infectious cut and one that we're fully expecting to hear tons over the summer. It comes backed by a drawn-out, loved-up tech-house take from Gorgon City that's arguably far more emotive than Cruz and Butler's original, if a little less urgent, energetic and funky. Surface Tension.

Subterranea - BPM. Binaural Dreaming - 89 BPM. Easy Rider - BPM. Psychoactive Part 1 - BPM. The Leeds natives James Rial and Richard Burkinshaw last served up an LP back in , so it's another career high for the pair and features a diverse array of moods and grooves across 10 tracks. From the balearic downbeat chill vibe of "Binaural Dreaming", to the funky and bass-driven tech house of "Easy Rider" or similarly the acid laced "Psychoactive" Part 1 which are more typical of the pair.

Not to mention the utterly euphoric second single "Feels Good" featuring vocalist Jem Cooke, its a cohesive effort by these staples of the Ibiza party circuit.

Feels Good. Feels Good - BPM. Review: Earlier in the year Audiojack teased their forthcoming second album, Surface Tension - their first full-length excursion for 12 years - with a pleasingly off-kilter and bass-heavy cut featuring an atmospheric vocal from Kevin Knapp.

It's arguably even better than its predecessor, with Cooke's delay-laden vocals riding crunchy drum machine percussion, ghostly chords and a restless, rolling electronic bassline. The accompanying Patrice Baumel remix is simply stunning, too, with twinkling piano motifs and atmospheric stabs rising above a smoother but weightier, kick-drum driven groove.

As it progresses, Baumel introduces sparkling synths and richer chords, taking an already excellent track into the stratosphere. Emanuel Satie.

Personal Liberation EP. Review: Last time we heard from Emmanuel Satie back in January, he was delivering an epic slab of muscular, percussion-rich peak-time house on Moon Harbour 'One Love'. Elsewhere, 'The Keys To Jupiter' is a more melancholic and bittersweet affair, with mournful piano motifs rising above a more shuffling but no less rubbery tech-house beat, while 'Somewhere Else In Time' cheerily joins the dots between classic electro, Inner City's 'Good Life' and symphonic deep house.

Harry Romero feat Jessica Eve. It Hurts. It Hurts - BPM. It Hurts Rodriguez Jr. It Hurts instrumental - BPM. Review: By his usually prolific standards, Harry "Choo Choo" Romero has been rather quiet of late, offering up just two missives of note in Here he pitches up on Damian Lazarus's Crosstown Rebels imprint for the very first time, delivering a dark room throb-job that's arguably far less muscular than many of his productions - even if it does boast a thickset, mind-altering bassline and plenty of layered percussion.

Romero provides vocal and instrumental mixes, with the former adding spoken word sections from Jessica Eve to the New York producer's addictive blend of minor key motifs, spacey chords and suitably wonky electronic noises. Rodriguez Jr. Play In The Dark. But as far as Crosstown Rebels is concerned, the Bros are making their debut here, and Troxler returning for the first time since when he collaborated with Art Department on "Living The Life".

The result is "Play In The Dark" with its woozy after hours style of boompty business, immersed in swinging rhythms, dirty bass and ethereal chords. Matador - "Vulture" - BPM. Audiojack feat Kevin Knapp. Under Your Skin. The result is "Under Your Skin", an off-kilter and experimental cut that's quite unlike anything you've heard from the producers before, with its intoxicating and bass-driven vibe that's perfect for the chill-out or warm-up alike.

With this in mind, it receives a remix from quite the suitable candidate in the form of Pearson Sound. Go on! Nice Post bollywood dj remix mp3 songs free download.

Thursday, 1 March List of all other files. Posted by Admin at Djlos 21 March at Djlos 22 March at Kazoo3 22 March at Kenny 29 March at Jorge 1 April at JosephH 11 April at Dios es Amor 22 May at Sam 17 July at Unknown 18 July at UZi 2 August at You jump in front of my car when you, You know all the time that Ninety miles an hour, girl, is the speed I drive You tell me it's alright, you don't mind a little pain You say you just want me to take you for a ride You're just like crosstown traffic So hard to get through to you Crosstown traffic I don't need to run over you Crosstown traffic All you do is slow me down And I'm tryin' to get on the other side of town I'm not the only soul who's accused of hit and run Tire tracks all across your back I can see you had your fun But darlin' can't you see my signals turn from green to red And with you I can see a traffic jam straight up ahead You're just like crosstown traffic So hard to get through to you Crosstown traffic I don't need to run over you Crosstown traffic All you do is slow me down And I got better things on the other side of town.

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